Non-Western Art (Africa)


Jennifer Sanchez

Professor Bomboy

Modern Culture and the Arts

9 April 2017

            As today there are still pieces of Non-Western art left behind. Depending from what part of the world they are from they have a style to it that represents where it came from. For example, Africa. Africa is continent with many different people and many different civilization and they all have different cultures that they apply to. Most of African arts are made from wood but they are usually sculptured with ivory, stone, or gems. African art are mostly masks. One famous African mask is the “Queen Mother Pendant Mask”.it is made out of iron, ivory and copper. This mask is from Nigeria, Court of Benin and was created in the 16th century.

            This mask was said to be built for “the King “Oba” Esigie, the king of Benin, to honor his mother, Idia” (metmuseum.org). These types of masks are usually worn spiritual ceremonies and purification ceremonies. This mask is made from ivory and the color ivory is associated with color white. The color white is a “Symbol of ritual purity that is associated with Olokun”. Olokun which is the god of sea he is the spiritual counterpart of the “oba”. This mask is the “Benin's principle commercial commodity and it helped attract the Portuguese traders who also brought wealth to Benin” (metmuseum).

Before Esigie took the throne, it was normal the mother of the king to stop them from “threatening the kingdom by using their magical powers to either initiate a rebellion and take over the throne, or harm the people in some way the use of witchcraft” (Admin). Witchcraft in Africa is a very normal thing that women did and still do. According to CBB news, “In Africa, witchcraft has played a role in rebellions, fighting wars, gaining independence and is often seen at election time” (BCC News). It can be used for a good reason or bad. Many witchcraft uses were normal during this time and throughout the years it got more and more normal for women to use it. There’s good and bad witchcraft but during the 16th century is was normal for every kings mother to be kill because they use their powers for bad. They wanted to take over and do harmful things to people.

works have come to symbolize the legacy of a dynasty that continues to the present day. works have come to symbolize the legacy of a dynasty that continues to the present day. works have come to symbolize the legacy of a dynasty that continues to the present day.The Queen Mother Pendant Mask ethnicity can be determined by the way the face looks. It is very similar looking to other African mask arts.    It fits into the culture very well because Africans make masks for many reasons of their culture. Esigie honored Idia (the mask is her) for helping him secure his throne and for all the advises that she gave him while he was king. Europeans influenced this object and realism is shown in it, it records the European presents. There is a lot of stylization in this work. For example, the hairline, eyebrows, forehead.

The contrast of lines of this object has curvy lines connecting the mudfish and the bearded faces of Portuguese on the bearded and the tiara. Also, it emphasis (focal point) of this object is obviously the bearded and the tiara which has the meaning of the Portuguese being in their land. A mudfish and then a Portuguese was the rhythm of this object and also it was the repetition. The balance of this is a formal balance because if it was cut in half It would be proportionate. The texture is very rough and smooth in some parts. For example, the head where the hair is, is rough, however, his cheeks look smoother.

I find this object awesome because of the meaning behind it. The thought and the uniqueness of it. It was very smart meaning they tried to portrait with the bearded and tiara. It wasn’t a realistic bearded or tiara. So, they use that to put the thought of the European people and the mudfish. “bearing inlaid metal and carved scarification marks on the forehead, and wearing bands of coral beads below the chin” (metmuseaum). They use the mudfish and the bearded faces of Portuguese because they live in the sea and in the land too. The mudfish represent the King’s as human and being very divine.  Which is something that was normal for people to be, humans were the most beautiful thing on her and that’s what most of the architectural works are trying to portrait some way or the other.



           









Works Cited

"Queen Mother Pendant Mask: Iyoba | Work of Art | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Met's Heilbrunn Timeline of Art History. The Metropolitan Museum of Art, n.d. Web. 10 Apr. 2017. http://www.metmuseum.org/toah/works-of-art/1978.412.323/

Admin. "The Power of Women in West Africa: Queen Mothers." Rain Queens: Female Leadership Traditions of Africa. Rain Queens of Africa, 10 Mar. 2011. Web. 10 Apr. 2017. http://rainqueensofafrica.com/2011/03/the-power-of-women-in-west-africa-queen-mothers/.

"Africa | Is Witchcraft Alive in Africa?" BBC News. BBC, 27 July 2005. Web. 10 Apr. 2017. http://news.bbc.co.uk/2/hi/africa/4705201.stm.

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